Imprint transforms my performance practice into an interactive installation. Eight pockets of skin-like silicone are cast directly from my wrist, back, breast, and thigh. These casts, stitched by hand with exposed seams, are suspended in space and wired together. Inside each pocket, an MP3 player carries recordings: seven poems I wrote for my mother—layered with love, guilt, tenderness, and resistance. When visitors enter the space, their presence activates all the recordings at once, creating a dense chorus that echoes the complexity of maternal relationships. Each silicone pocket hangs like an island, yet the connecting wires evoke invisible threads of care and control stretching across oceans and generations. ​